Assemblage 3dcollage

KRISTEN MORGIN, One more thing to worry about, 2001, clay, wire, cement, string, paint, paper 2001, 33x18x10 cm
Assemblage
Et billede sammensat af forskellige materialer og genstande, lig collageteknikken. I assemblagen går kunstneren et skridt videre og anvender større og grovere dele, hvorved billedet får en tredimensionel reliefagtig karakter. Assemblageteknikken anvendtes første gang i 1910 af russeren Vladimir Baranov-Rossiné.
http://www.youtube.com/watch?v=Rg6EH-gHlsw
http://www.regenprojects.com/exhibitions/2009_3_elliott-hundley/
http://www.andrearosengallery.com/artists/elliott-hundley/#
http://www.regenprojects.com/artists/manfred-pernice/
http://www.marcselwynfineart.com/artists/morgin/morgin.htm
http://www.youtube.com/watch?v=DyF7SXwaBZ4
http://www.heraldst.com/artists/bircken/06birc/bircken.html
http://www.martinerikandersen.dk/x109work38.htm

Jimmy Joe Roche

Jimmy Joe Roche (MFA, Maryland Institute College of Art)

Jimmy Joe Roche’s hand-cut and painted paper wall sculptures create a striking contemporary mythology through a series of new cultural totems. His visual language draws from traditional American and Eastern meditative symbols rechanneled through today’s cultural landscape. The works are painstakingly hand-crafted and symmetrical, requiring a long process of repetition, cutting, weaving, and painting, and embody the artist’s contemporary mantra.

Via Irvine Contemporary

www.irvinecontemporary.com/otherExhibitions.p...

dan deacon's Crystal Cat from the album Spiderman of the Rings by jimmy joe roche

Kirstine Roepstorff

Kirstine Roepstorffs første store soloudstilling i Danmark viser collagekunstens unikke potentialer. Glittet papir og kornede kopier bliver flettet sammen i visuelt forførende udsagn om magt og balance.

Via Kunsten.nu:
http://www.kunsten.nu/artikler/artikel.php?Kirstine+Roepstorff+Kunsthallen+Brandts+Collage

Paper

Raymond Pettibon

Raymond Pettibon was born in Tucson, Arizona in 1957. After graduating from college, Pettibon worked briefly as a high-school math teacher, but soon after set out to launch a career as a professional artist. A cult figure among underground music devotees for his early work associated with the Los Angeles punk rock scene, Pettibon has acquired an international reputation as one of the foremost contemporary American artists working with drawing, text, and artist’s books. Pettibon is as likely to explore the subject of surfing as he is typography; themes from art history and nineteenth-century literature appear in the same breath with American politics from the 1960s and contemporary pop culture. In his 1998 anthology, “Raymond Pettibon: A Reader,” the viewer can read over Pettibon’s shoulder to discover a handful of the artist’s muses—Henry James, Mickey Spillane, Marcel Proust, William Blake, and Samuel Beckett, among others. In the 1990s, Pettibon extended his work beyond the printed page and onto the walls of the exhibition space, creating wall-sized drawings and collages.

via art21:

http://www.pbs.org/art21/artists/pettibon/index.html

Collageparty

the Collage Party by Canadian artist Poul Butler is an experimental studio where artists are invited to work alongside each other in a social setting, often for days on end

via Poul Butler

http://theotherpoulbutler.com

Arturo Herrera

Arturo Herrera was born in Caracas, Venezuela in 1959, and lives and works in New York and Berlin, Germany. Herrera’s work includes collage, work on paper, sculpture, relief, wall painting, photography, and felt wall hangings. His work taps into the viewer’s unconscious, often intertwining fragments of cartoon characters with abstract shapes and partially obscured images that evoke memory and recollection. Using techniques of fragmentation, splicing, and re-contextualization, Herrera’s work is provocative and open-ended. For his collages he uses found images from cartoons, coloring books, and fairy tales, combining fragments of Disney-like characters with violent and sexual imagery to make work that borders between figuration and abstraction and subverts the innocence of cartoon referents with a darker psychology. In his felt works, he cuts shapes from a piece of fabric and pins the fabric to the wall so that it hangs like a tangled form resembling the drips and splatters of a Jackson Pollock painting. Herrera’s wall paintings also meld recognizable imagery with abstraction, but on an environmental scale that he compares to the qualities of dance and music.

via art21
http://blog.art21.org/category/media/drawing-collage/

Mark Bradford

Mark Bradford was born in Los Angeles, California in 1961. Bradford transforms materials scavenged from the street into wall-sized collages and installations that respond to the impromptu networks—underground economies, migrant communities, or popular appropriation of abandoned public space—that emerge within a city. Drawing from the diverse cultural and geographic makeup of his southern Californian community, Bradford’s work is as informed by his personal background as a third- generation merchant there as it is by the tradition of abstract painting developed worldwide in the 20th Century. Bradford’s videos and map-like, multilayered paper collages refer not only to the organization of streets and buildings in downtown Los Angeles, but also to images of crowds, ranging from civil rights demonstrations of the 1960s to contemporary protests concerning immigration issues.

Via art21:http://www.pbs.org/art21/artists/bradford/index.html#

Matthew Ritchie

Matthew Ritchie was born in London, England in 1964, and lives and works in New York. His artistic mission has been an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Although often described as a painter, Ritchie creates works on paper, prints, light-box drawings, floor-to-wall installations, freestanding sculpture, web sites, and short stories which tie his sprawling works together into a narrative structure. Drawing is central to his work. He scans his drawings into the computer so that images can be blown up, taken apart, made smaller or three-dimensional, re-shaped, transformed into digital games, or given to someone else to execute. One ongoing work that Ritchie calls an endless drawing contains everything he has drawn before.

http://www.pbs.org/art21/artists/ritchie/index.html#

Swoon

SWOON is a street artist from New York City who specializes in life-size wheatpaste prints and paper cutouts of figures. Swoon studied painting at the Pratt Institute in Brooklyn and started doing street art around 1999

Yaoi Kusama